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Judith Monroe Posts

Putting it into Words

 

Last week I told you about how I was getting stuck trying to put my newest work into words, this week, I’m happy to say I’ve figured it out, at least for now.

 

Mixed media artwork by Judith Monroe

 

Specimina (Specimens of Faith)

 

The search for meaning is a common thread for humanity. We want to know why we are here, what we are supposed to do, or at very least that our life has meaning to others. We also have a tendency to search for meaning in the acts of others, in the world around us, and in art. As for me, I have begun to look for meaning in natural artifacts and in the process, I am formulating a personal symbology for my faith.

 

In my world, a sparrow is not just a sparrow, but a reminder that God cares about me. That sparrow’s nest points to a final home and that sparrow’s death reminds me where I would be without my faith and points back again to the first reminder. Many of my symbols will be familiar to those with a knowledge of Judeo-Christian literature, as they derived from my studies of the Bible. Some have farther reaching commonalities and some maybe fewer, all are meant to be shared regardless of one’s spiritual beliefs.

 

Symbols are strong things, able to tell a whole story with single image, convey concepts on a subconscious level and wield the power to unite or divide. My goal is to bridge any gaps that might exist and provide a forum for discussion. This is an ongoing journey for me, continually picking up objects that seem to speak to me and stopping to listen, then passing the message along.

 

Over the next few posts, I plan to go into each of the symbols I’ve figured out so far, with some explanation as to how I came to that conclusion. I’ve even had the idea to do an art journal entry for each one, but that might take me a little longer, we’ll see what happens.

 

 

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A Non Statement

 

For the past week or two I’ve tried to sit down to write an artist’s statement for my new show, “Beauty & Death,” opening a week from now at Little Relics Boutique & Galleria in midtown Sacramento. Usually, this is not a difficult task for me, as writing as always come fairly easily to me (unlike many visual artists, who are cursing me right now.) But this time it has not been so easy. It hasn’t even been at all. For some reason I am experiencing an incredible block, trying to explain verbally what I have been doing visually. 

 

So this is my non-statement. Dead things, pretty things, pretty dead things. They mean something else. I could just come right out and tell you what they mean and I certainly will at some point in time but first I need to tell you why I’m doing this and why you should care and that’s the hard part right now.

 

And instead I’ll just show you a piece of artwork. This is what I’m saying:

 

"Not Dead but Asleep" mixed media art by Judith Monroe

 

I call it “Not Dead but Asleep” and I’ll just let it speak for itself right now.

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A Desert Experience

About a week and a half ago, my husband and I decided to take a different route home from our visit to the Grand Canyon than the way we had gotten there. We had plenty of time and we prefer the scenic route to the fast route, so we literally took the road less traveled. Our two-day detour led us through Las Vegas, past the Hoover Dam and across Death Valley, then up the eastern side of the Sierra Nevada, crossing over to our home in the great Valley just south of Lake Tahoe.

We got to see things that neither of us had seen before, like the Hoover Dam, and he got to introduce me to a couple of places he had visited before with friends on a motorcycle trip. One of the places he introduced me to was Manzanar in the Owens Valley, in a part of Southern California that most people would certainly not recognize.    

The Owens Valley is a high desert between even higher mountains, with a river running through it, but a desert nonetheless. In 1942, the U.S. government sent more than 10,000 Japanese Americans to live in crowded barracks hastily built (by detainees) in Manzanar, California. The last of them were released in November 1945, the buildings they lived in are now gone and the government has made apologies. A memorial site has been erected and museum buildings are being built now to share their story.

It was the things that have survived these past seventy years that astounded me. When we visited the site, my husband made sure to show me the gardens that these unfairly imprisoned people had built while they were there – rock gardens with cement pools and pumps for water features in the desert. I felt it was a fitting testament to the endurance and tenacity of humans under injustice. And then I saw the trees. I realized that these trees were also planted by those who were imprisoned all those years ago. In the desert. And they have survived.

Many of the surviving trees are acacia and cottonwoods, more durable trees that might be expected to survive in harsh desert conditions, but what truly amazed me were the fruit trees that survived. Trying to make the best of a bad situation, the Japanese Americans had planted orchards with fruit trees, which certainly required watering and care to survive and produce fruit. I’m not sure how many decades the trees managed without any help, but they survived, a metaphor for strength and resilience in the face of hardship.

So I photographed them. I didn’t really have a lot of time to spend and I didn’t capture very many, but the image of those trees in the desert stuck with me. And I can’t get over it. You’ll be seeing these trees for sure.

 

fruit tree at Manzanar by Judith Monroe

 

 

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Monday-ish Creative Blog Tour

 

Several months ago I received an email, asking if I’d be willing to show at a local wine venue. I ended up agreeing to a month-long show and arranged to meet with the curator to go over all the details. I ended up expanding my knowledge of wines, meeting a fellow artist with a kindred aesthetic and beginning a new friendship. For all those things, as well as for a brief art exhibit, and now for inviting me to participate in this blog tour, I say, “Thank you, Lola.”

 

Now my fellow artist Lola has invited me to take part in what was supposed to be a Monday Blog Tour on my creative process, but what has actually turned into Monday-ish. (Tuesday’s right after Monday, and I have always been punctually challenged, no matter how hard I’ve tried to hide it, so I’m just going with it.)

 

Lola was born to a raven-haired California gypsy with magpie blood. Aries Sun. Cancer Moon. Writer. Photographer. Mother. Artist. Treasure Hunter. Kitchen Witch. Food, booze, and art enthusiast. Creative co-conspirator. Hostess of dinner parties and craftress circles. Collector of books, baubles, branches, bones, and stones. A lover of the written word ever since she can remember, and a lover of food since before that. You can read her answers to the Creative Process Blog Tour here, and follow the links back to see who else has played this game.

 

Without any further ado, I will answer the questions I am supposed to answer.

 

art studio worktable Judith Monroe

 

What am I working on?

I have just come back from a week long road-trip vacation, so I have been photographing all kinds of wonderful landscapes in Arizona and California, but on my worktable now are several wood panels with gesso that are part of a new series I’ve been working on in a slow but steady manner that I call Specimina. So far these images are of a singular item, like a nest or a flower or a dead bird, that represent aspects of my faith. I am very excited because another friend has asked me to exhibit a whole show of this work in her gallery in midtown Sacramento next month. (Yes, I have some work to get done!) So you’re invited to come see it all next month, at Little Relics Boutique & Galleria on I Street, near 21st, in Sacramento. Kick off reception is Thursday July 10th, 6 to 9 p.m., and the Second Saturday Artwalk is July 12th, also 6 to 9 p.m. As is common a month out, I’m alternately excited and terrified.

 

How does my work differ from others of its genre?

Working in photo-based mixed media automatically makes my genre a rare thing. Sometimes the question is who else is even doing this? They are out there, I know, but I don’t really know any of them. I do know a lot of other mixed media artists, though, and a lot of other photographers, so probably the fact that I combine photography with mixed media and collage techniques is what makes my work unique.

 

Why do I create what I do?

Part of this question is easy for me, because it’s a question I’ve had to grapple with personally already. Simple, I create because I was made to create. If I don’t create, I’m not nice to live with (my husband will verify this.) And why the mixed media and photography? That’s a longer story. I started with photography in college, as a journalism student, and fell in love with the magic of the darkroom. Right away I wanted a way to have color that wasn’t what films and papers could give me and I researched and started experimenting with hand-coloring. Later I wanted to add more, so I started adding layers with overlays in the darkroom, then realized I was really drawn to other mixed media work, so I asked myself why I wasn’t doing that, and started incorporating photos into my own mixed media pieces. It’s just the path that I’ve traveled. Some artists go from one media to the next, I just keep adding to what I’m doing. As for the why of the subject matter, I am never more filled with joy and happiness than when I’m out in some wild spot, breathing the fresh air, listening to birds singing, or the wind blowing, looking at the details of a leaf, spotting a lizard, well, you get the idea. So I try to capture that feeling by taking photographs, making sketches, collecting natural artifacts and piecing it all together with color that conveys some kind of emotion.

 

How does my creative process work?

I think I sort of answered that in the last question, but to be a little more clear about it, I always start with a photograph and build from there. Each artwork actually reflects my journey as an artist that way. I’ll collect other bits and pieces, sometimes starting with an idea and going from there, but most often following the Spirit and not thinking too hard as I bring things together that feel right and discovering what the piece is about as I create. It’s a very spiritual thing for me, not always easy to put into words.

 

Like I mentioned, I was on vacation last week, so I haven’t managed to get anyone new to continue the chain, but I’ll see who I can get to play along, and will post links in the next few days.

 

 

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Painting the Desert

 

A week from now I’m planning on being in Sedona, to enjoy time with my husband, do a little hiking and shooting, and deliver a couple of larger pieces of artwork to the Lanning Gallery there. The Lanning already has some of my work and I’ve shipped smaller works a couple of times, but since I was going to be down there, I thought I’d save on shipping and bring some new work.

 

Now all I have to do is get them done on time…

 

artworks in progress by Judith Monroe

 

 

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A small memento

 

work in progress in Judith's art studio

 

On the worktable today, I’m finishing up a small memento of the weekend’s ARTofFREEDOM event, to be given to Made for Them, the parent organization that hosts these awareness events. 

 

Saturday’s event was pretty amazing, and I learned more about the horrors of human trafficking in our area, and the U.S. at large. To be honest, I’m still processing it all and trying to figure out what I can do next to help fight this problem that is destroying lives.

 

Mixed media artwork by Judith Monroe

 

This is the piece that I created on Saturday at the event, it’s called New Identity, in hopes that more young people who are enslaved can be freed and given new identities…

 

 

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Creating Change

 

This weekend I’m going to be part of an event called ArtofFREEDOM, working to bring greater awareness to the horrible crime of human trafficking and support for the often forgotten victims of it. A couple of years ago I learned a shocking fact – my home town is a hub of human trafficking and the sex trade it supports, in large part because of the intersection of two major interstate highways. Learning just the barest minimum about this broke my heart and I wished for something that I could do to help.

 

mixed media floral art by Judith Monroe

 

A few months ago I was given that opportunity when I was asked to participate in ArtofFREEDOM, brought to Sacramento for the first time by Made for Them. I was thrilled to be able to accept. I’ll be leading as many as 160 participants in a hands-on art project, starting with a blank canvas to represent the fresh start that those rescued are given. But they need help and I have created several artworks just for this event, and the proceeds from these works will go towards that end, especially supporting Courage Worldwide

 

mixed media floral art by Judith Monroe

 

All of these brand new works are florals, inspired by the lovely rose garden that the event will be held in, and representing the beauty within each of the girls rescued from the sex trade. Really it’s a very small thing that I’m doing, but if each of us did just a little thing, all together it could be a pretty big deal.

 

 

 

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Next up…

 

worktable

 

Planning on getting these new floral images transferred to panels today!

 

 

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